Awards




Awards




Dora Wiebenson Prize

Previous Recipients

Each year HECAA awards the Wiebenson Prize for an outstanding graduate student paper presented during the previous calendar year at a scholarly conference or as a sponsored lecture. The prize is named for Dr. Dora Wiebenson, Professor Emerita at the University of Virginia School of Architecture, who served as HECAA’s first president from 1993 to 1995.

By 15 February, each applicant should submit a PDF of the paper for consideration—as read, without notes, but with illustrations—to the HECAA president, who will then forward the submissions to an ad hoc committee responsible for selecting the winner. Honorable mention is also an option for papers of distinction not chosen for the prize. Recipients must be HECAA members in good standing.  If you are a previous Wiebenson Prize recipient, you may apply again two cycles after your initial award. In other words, if you won an award in the current academic year, you may apply again in two years. Please contact the HECAA President.

 

2023  Daniella Berman, “Uncertainty and / of Time: The Problematics of Representing the French Revolution,” ASECS, 2022

2022  Philippe Halbert, “A Toilette in their Fashion’: Indigenizing the Dressing Table in France and New France,” 2022 Rienzi Symposium

2021  Sarah Grandin, “Trees, Orphans, and the Forgotten Figures of Savonnerie Carpet Manufacturing, 1662–1688,” CAA, 2021

2020  Sarah Carter, “Negotiating Cultural Difference: Indian Antiquities in Richard Payne Knight’s A Discourse on the Worship of PriapusHECAA Open Session, Universities Art Association of Canada Conference, 2019

2019  Jennifer Chuong, “Engraving’s ‘Immoveable Veil of Black’: Phillis Wheatley’s Portrait and the Politics of Technique,” CAA, 2018

2018  Kee II Choi Jr., “‘In All Things Must the Ancients Be Imitated’: Vases and Diplomacy at the Qing Court,” Diplomatic Presents between China and Europe, 2017

2017  Isabelle Masse, “Entre pastel et photographie: les portraits de Gerrit Schipper au Bas-Canada (1808–1810)”

2016  Oliver Wunsch, “Face Time: Permanence and Pastel Portraiture,” CAA, 2016

2015  Ashley Bruckbauer, “The Little (Cochinchinese) Prince: Diplomatic Masquerade and the Construction of Fantasy in Maupérin’s Portrait of Prince Canh”

2014  William L. Coleman,”‘Both Instructive and Pleasant’: The Country House Garden in Vitruvius Britannicus”

2013  Hyejin Lee, “The Language of Magic in Jean-Baptiste-Siméon Chardin’s Food Still Lifes”

2012  Susan Wager, “Madame de Pompadour’s Indiscreet Jewels: Boucher, Reproduction, and Luxury in Eighteenth-Century France”

2011  Hilary Coe Smith, “A New Approach to Measuring Taste in the Parisian Art Market”

2010  Georgina Cole, “Picturing Privacy: Doors in Jean-Baptiste Chardin’s Genre Paintings”

2009  Jessica Priebe, “François Boucher and the Rituals of Display in Eighteenth-Century Conchology” AND David Pullins, “Mapping Chinoiserie onto the Neoclassical House: Robert Adam’s Designs ‘in the Chinese Taste’”

2008  No prize awarded

2007  Sally Ann Grant, “Play in the Garden in Eighteenth-Century Venice”

2006  Christina Lindeman, “Constructing a Cosmopolitan Identity: Portraits of Anna Amalia, Duchess of Sachsen-Weimar”

2005  No prize awarded

2004  Denise Amy Baxter, “Jean-François de Troy’s tableaux de mode: Defining a Fashionable Genre in Early Eighteenth-Century France”

2003  Andria Derstine, “Statues and Stature: The Accademia di San Luca from 1675 to 1725”

2002  Michael Yonan, “Imperial Identity and Roman Authority: Pompeo Batoni and the Austrian Habsburgs”

2001  No prize awarded

2000  Andrew Graciano, “Botanical Sensibility: Joseph Wright of Derby’s Portrait of Brooke Boothby (1781) Reconsidered”

1999  Lisa Koruga, “Las Vegas Lagoon: Canaletto’s Paintings”

1998  Candace Jean Kern, “Boucher’s Cabinet at the Louvre, 1771”

1997  Mary Salzman, “Jean-François de Troy’s The Reading from Molière and the Eighteenth-Century Salon Interior”

Mary Vidal Memorial Award

HECAA members who are graduate students or who have completed the Ph.D. within the past three years are eligible to apply for modest subventions ($100–200, depending on the number of applicants and available funds). Named in memory of Professor Mary Vidal, the funds are intended to defray costs associated with research travel, conferences in which the recipients are presenting, or publication permission fees.

Applicants should send a single PDF with a CV, a brief description of the project, including a 1-2 line summary of how the funds will be used, and a simple budget charting how the amount requested will be spent, by May 15th or November 15th (there are two deadlines). If you are a previous Vidal Award recipient, you may apply again two cycles after your initial award. In other words, if you won an award in the fall cycle, you may apply again the following fall. Please contact the HECAA President.

Previous Recipients

2023  Harvey Shepherd, Dani Ezor, Marie Giraud

2022  Tori Champion, Carole Nataf, Yasemin Altun

2021 Elizabeth Saari Browne, Matthew Gin

2020 Anna Ficek, Monica Anke Hahn

2019 Feng Schöneweiß

2018 Daniella Berman

2017 Felix Martin

2016 Margot Danielle Bernstein, Daniella Berman

2012 Lauren Cannaday, Amanda Strasik

2011 Georgina Cole, Susan Wager

2009 Amber Ludwig, Sally Grant, Anne-Louise Gonçalves Fonseca

 

Mary D. Sheriff Travel and Research Award

The Mary D. Sheriff Award is sponsored by ASECS (American Society for Eighteenth-Century Studies) and by HECAA. It supports the study of feminist topics in eighteenth-century art history and visual culture. Doctoral candidates, early career scholars, and contingent faculty who are current members of ASECS and HECAA are eligible to apply.

Please see the award page at ASECS for more information.